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The Seattle Sounders in the House of Bread for Cascadia Cup Derby today (13 hours on ESPN and 750 AM/101.1 FM) may be somewhat exaggerated.
With Portland wading halfway through his first season MLS, the Timbers are not exactly rolling in their most important game of the season. Momentum? None for Portland, which is mired in a six match winless slide and front seat- last exit west.
Timbers things can turn around against their rivals on a postcard perfect afternoon in the Rose City? Will present the fee MLS at the height of his national TV hype?How the next chapter of this legendary rivalry read?
So many questions, one answer: Click past the jump that I cleverly describe all actions, on and off the field.
MICHAEL FRANCIS
Now considered to be one of the brightest young conducting talents of this time, Michael Francis was first recognized as such in 2006 when, in an emergency and while on tour, he stepped out of the bass section of the London Symphony Orchestra - where he had resided for three years - and into a rehearsal of Shostakovich Symphony No. 4. The future for his conducting talent was cemented by three successive emergencies: in 2007, with 12 hours notice to replace Valery Gergiev for the BBC’s Gubaidulina Festival at the Barbican; one month later and on two hours notice to replace John Adams in a performance of his own works with the LSO at the Philharmonie Luxembourg; and in January 2009, when he was asked to replace André Previn. The request to have two distinct programs ready in six days for four concerts in three cities, beginning on January 7th, with Anne-Sophie Mutter and Stuttgart Radio Symphony came in on New Year’s Eve. The programs included Gubaidulina, Violin Concerto In Tempus Praesens; Previn, Double Concerto for Violin and Double Bass with Roman Patkoló; and Hindemith, Mathis der Maler. As a result of his success and the great critical praise which followed, the SRSO immediately engaged Michael to conduct concerts in June 2009 and March 2010. In April 2010 Michael joined forces with Anne-Sophie Mutter, conducting a series of concerts in Tokyo and Taiwan, and in November 2010 he will make his debut with the New York Philharmonic for the world premiere of Wolfgang Rihm’s newest piece for violin and orchestra, Lichtes Spiel, with Anne-Sophie Mutter.
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